I finally saw Crash. Great job, Michael Pena, for a powerful performance - the setup was great and he was deeper than the remaining cast of plot movers. It doesn't live up to the hype but there's something about the writing of Crash that just makes it work.
Saw Millions. Creative and well done except for one aspect. Imaginary"saints" visit the boy throughout the film. These saints have an irreverent bent that's unconvincingly force-juxtaposed on a boy with pure motives. (Or perhaps dead British have strange humor or irreverent bent.)
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